Filming "KULL"

 

search for the actor

Screenwriter Charles E. Pogue: "<1993> Kevin Hooks was a terrific director. We started testing actors and eventually we found an actor who we decided we wanted to test named Thomas Ian Griffith. Kevin directed a test with him and it was superb. [Griffith has played Taligaro] But we couldn't get him past the brass. They didn't know what they wanted but it wasn't him for some reason. Two weeks became five months and by that time we were off shooting "DragonHeart". <1994> Kevin Sorbo's name had come up at this time, and then was dropped and came up again. We had people sending in tapes from all over Europe, the United States and Australia." (09.97 Cinefantastique #3)

 
 
Producer de Laurentiis. "Before I left Hollywood for Bratislava to make "DragonHeart", I saw Kevin's audition video tape for Hercules and he made an instant impression on me." (11.97 Starburst #231)
 
"Producer Raffaella de Laurentiis and Universal turned to what would be a massive, worldwide search for the actor to play Kull; knowing all the time that the specter of Schwarzenegger's Conan loomed in the background. "It was tougher to cast this film than it would have been if there had never been a Conan movie." (12.97 Starlog special)
 
"Finally, in February 1995, Kevin Sorbo, who was beginning to make a name for himself in H:TLJ, did a screen test for Kull. "We saw so many people for the role. It was unbelievable. It was only when I found and tested Kevin that I felt it was OK to make the movie. I saw immediately that he brought a fresh, younger approach to the role. That was the kind of thing we were looking for, because it would have been impossible to cast Kevin and then try to make him Arnold." (12.97 Starlog special)
 

"In a strange coincidence it was Nicolella who had actually shot Sorbo's Kull screen test 18 months before landing the directing job himself." (11.97 Starburst #231)

 
Producer de Laurentiis. "Once I finished "DragonHeart" I did a screen test with Kevin and knew I had the right actor for Kull. Kevin was up to his neck in Hercules schedules in New Zealand. We both had to wait a year before it finally came together but it was worth all the delays." (11.97 Starburst #231)
 
Screenwriter Pogue: "In the Summer of '95 Raffaella, through minions, asked me to find out what was going on with the negotiations with Kevin Sorbo at ICM because we both had the same agent, and I found out; troubleshot for her there. Then in December of '95 they finally made the deal with him. In the meantime, because they'd wasted so much time trying to make their deal with Kevin Sorbo, she went off and did "Daylight"." (09.97 Cinefantastique #3)
 

"Hercules had not yet become the worldwide phenomenon it soon would be, so all parties agreed that a late 1995 start date, during Sorbo's hiatus from H:TLJ, would be the time to shoot Kull. "But then I got real busy," reflects the producer. "I was in Italy shooting "Daylight" at the same time I was in post-production on "Dragonheart" and pre-production on "Kull". We had already missed the '95 opportunity to shoot Kull and we were coming up on the one window of opportunity Kevin would have to do the film in 1996." (12.97 Starlog special)

 
Screenwriter Pogue: "We lost director Kevin Hooks because of all this frittering away. So in January '96, when they finally made this deal [with Sorbo], we now had no director. At this point they told me that they'd had a meeting with Kevin Sorbo, that I had not been invited to, where he had some notes, which kind of ticked me off. They're in a story meeting without the writer. That's sort of a silly thing, but I bit my tongue and let that go by." (09.97 Cinefantastique #3)
 
"As if things weren't rough enough, de Laurentiis hadn't decided on a director. "The only way I was going to be able to make this movie with Kevin in 1996 was to go with a director that I had worked with before and could trust," she says. "I didn't have the time to bond with an unfamiliar director. So, I went with John Nicolella. I knew from working with him on the "Vanishing Son" TV movies [part of the Universal's Action Pack, which aired back-to-back with "Hercules" before "Xena" showed up] that he could do action and that he would care about the actors." (12.97 Starlog special)

 

preparations

Kevin Sorbo: "I read the books. I did all the research - learning as much as I could about the character before I did it." (07.97 Interview by R.Witterstaetter)

 
Kevin Sorbo: "I'm about to work with an all Italian crew over in Europe on this Kull movie. I am listening to Berlitz tapes everyday when I drive back and forth from work. I'm learning phrases. I want to get good at it. And I'd have to learn to ride horses better, I've only been on them a few times, but I'm taking lessons anyway right now for Kull." (06.96 Sorbo answers for H:TLJ's Forum)
 
 
"Q: How did you prepare for your role as Kull? Heavy training in the gym? -- Kevin Sorbo: Universal Studios sent down Jerry Poteet and this wife Fran. Both of them are like fifth dan black belts... very high degree black belts. They came down to New Zealand while I was filming Hercules and trained with me for 2 months prior to shooting Kull." (28.08.97 Universal Chat)

 

Shooting began in early August of 1996.

 

locations

"Kull" was filmed at Studio Koliba, Bratislava (the capital of the Republic of Slovakia) and on locations throughout Slovakia.

 
 
More details can be found on the Slovakian site (in English).

"Q: Do you have anything special that you'll remember from having filmed "Kull" in Slovakia? -- Kevin Sorbo: The castles. They were magical." (09.97 E! Online - Star Boards)

 
Sea sequences were filmed in the Kornat National Park (Adriatic sea shore of Croatia).
 
Producer Raffaella de Laurentiis: "I was a little nervous at first [because of the war, but] we had absolutely no problem. We built a complete village and rebuilt a ship for sequences shot near Split, and we ended up shooting for three weeks, and the team at Jadran was great and provided us with 60 crew members." (04.97 Film & Video)
 

 

dark wig

"Kevin said the wig he wears is so tight he gets an automatic eye lift." (09.96 H:TLJ's Forum Report by Olympiana)

Kevin Sorbo: "The wig sucked to put on every day. It gave me a headache. But I liked the final results. It allowed me to get into character much easier." (28.08.97 Universal Chat)

"Make-up artist Gianetto de Rossi: I gave him a dark brown wig, which looks even darker on Kevin, and it made his blue eyes burn even brighter." (11.97 Starburst #231)

 
 

language barrier

"Q: What was the most challenging part of making "Kull"? -- Kevin Sorbo: The language barrier. We had 10 different languages on the set. It was always a problem to get anything done correctly, and after a while I just had to laugh at it." (28.08.97 Universal Chat)

 

Click the pics to take a glance at Kevin Sorbo and his trainers Fran Joseph and Jerry Poteet on the set of "Kull".

 

 

fight scenes

"We shot fight scenes anywhere from two to five days long," Sorbo says. "They covered every possible angle." (06.97 Entertainment Weekly)

 

"Q: What were the most perilous stunt fights in the "Kull"? -- Kevin Sorbo: The opening fight sequence, when I was in the water fighting with a blindfold and a flaming sword, was pretty intense. They gave a very slight slit for us to see through, and even that, you know, 60-70 percent of your vision was gone. We had to be pretty spot-on with swinging the sword at each other and "God, I hope you're there." It was definitely nerve-wracking. It was fun. The challenge was there, and it was fun to do that fight sequence, but also there was another one I had on the boat - the movement of the boat, the jumping around and bashing heads and tweaking backs and, you know, hurting necks. You know, we took a lot of nicks and cuts. There were people with a few stitches on the show, but it was, it's you know, that's part of the hazard pay." (08.97 TVGuide-Online)

 
 
"Q: What was the hardest item to try to accomplish while filming "Kull"? -- Kevin Sorbo: The hardest scene was a five day fight scene in an ice cave." (28.08.97 Universal Chat)

 

birthday party

"Kevin's birthday party was great! We gave him a surprise party and 30 members of the cast and crew attended. The birthday wishes Forum members had put together for me I printed and made a banner that was 28 pages. I stood up and said here are so me more messages from your fans. Then everyone started reading them. I wish I remembered the one that was read out loud first exactly, but it mentioned what a hunk Kevin was. That increased everyone's interest in reading more of them. Kevin got a kick out of it!" (09.96 H:TLJ's Forum Report by Olympiana)

 

"Live, from the former communist country of Slovakia I bring salutations, mirth, warmth, hope, love, praise, adoration, and other unmentionables. I am in shock. Total shock over the wave of affection and outpouring of gifts that were shipped my way here in Europe for my birthday. It was amazing to say the least and I wanted to thank each and everyone of you for taking the time and effort to let me know you remembered my day. We are only 21 once, and I am proud to say that I am 21 yet again!! At least I feel that way.
I had a great birthday dinner that my manager, Beverlee Dean, along with Susan Vadner (Herk fan club Prez), and Raffaella de Laurentiis (producer of the movie I am doing now, "Kull") put together for me. A bit of a surprise. The best bit was that my father made the trip over as well. First time in 11 years I had a birthday with one of the parents around. My mother couldn't make the trip due to a bad back. Next time!!" (14.10.96 Kevin Sorbo to H:TLJ's Forum)

 

nice dinner on the Island of Death

"Q: What's the best date you ever had? -- Kevin Sorbo: I'd probably get killed if I didn't tell you about a date with my girlfriend [Sam] right now. She just came over to visit me in Croatia, where I was filming my new movie. And we had a really wonderful day. We took a walk along the beach. In Croatia, they have rocky shorelines and the sea is crystal clear. We went to this island, Murter, which means the Island of Death. It was so named because centuries ago, pirates came and slaughtered everyone there. We found a wonderful restaurant and had a nice dinner." (3.11.96 New York Sunday Daily News)

 
 
 

sea urchin - take 1

"Kevin Sorbo: During one scene in Kull I stepped on a sea urchin and it embedded in my heel. If you don't have any ammonia you're supposed to pee on it, because you can get an infection. -- TVW: So did you pee on it? -- KS: Well, no. Luckily we had ammonia. I had a couple of offers from women, though." (23.08.97 Australia TV Week)

sea urchin - take 2

"I stepped on a sea urchin and it got embedded in my heel. There are only two ways to keep such a wound from getting infected," explains Sorbo. "One is to clean it with ammonia. The other is to urinate on it. And they didn't have any ammonia on the set." (24.08.97 Calgary Sun)

sea urchin - take 3

"Q: I was at the taping of the Tonight Show [15.08] and you never finished the story about stepping on the sea urchin... what did you end up doing? -- Kevin Sorbo: (throws his head back, cackling with glee) I did what I had to do." (28.08.97 Universal Chat)

 

 

weapon

The battle axe used on screen by Sorbo was approximately 32 inches in height and 19 across, with a wooden handle and a blade head constructed of prop-grade resin fiber.

Sword had overall length 41-1/4 inches. Blade length: 29-3/8". Blade material: 420 J2 stainless is 3/16" thick.

 

 
Two behind the scenes photos - Kevin as Kull posing with the sword

 

 

a lot of fun

"Kevin is working minimum 14 hours a day, 6 days a week. While I was there he took his only day off to fly to Paris for a photo shoot for promotional purposes. Yes, he did it in one day! While he is on the set different journalists are constantly interviewing him from all over the world. He never stops, ever. I don't know how he does it." (09.96 H:TLJ's Forum Report by Olympiana)

"I don't lose weight very easily because I work out all the time, but I lost seven pounds during the filming of this movie," says Sorbo. "I was exhausted, so I didn't get the time to work out properly. A couple of days, I couldn't even get out of bed. I guess I'm not as young as I used to be." (01.09.97 People)

 
Kevin Sorbo: "I had a lot of fun filming on location in Croatia last year." (07-08).97 Starlog)

 

on Hercules side

Kevin Sorbo: "H:TLJ only gave me two months a year and that didn't leave me with the time to do anything. The only reason I was able to do "Kull" was because Universal owned my show and they made that movie, so they gave me four months off to do that movie." (12.00 SFX #72)

 
"When Sorbo took and extended studio-approved hiatus to work on "Kull The Conqueror", the staff on H:TLJ had to think fast when he was late returning from the film. "Without getting into nasty studio politics, had I really known that he was going to miss three episodes, I would have written a storyline for it," says producer Tapert who admits to having mixed feelings about the actor working on another sword and sorcery project." (10.97 Cult TV)
 
Producer Robert Tapert: "I was concerned that he was overextending himself. I was concerned that he was going to come back from shooting 12 weeks of "Kull" and would be physically depleted. My advice to Kevin had been:"'Kevin, you work incredibly hard, and there will always be an opportunity to do a loin cloth movie and that, maybe, you would be better off doing nothing for your break." (12.97 Dreamwatch #39)
 
"Q: How long did "Kull" take to finish? -- Kevin Sorbo: I spent 14 weeks, but the production crew went on for another 2-1/2 weeks. I had to get back and shoot more Hercules." (28.08.97 Universal Chat)
 

Robert Tapert: "When he came back from "Kull", he was quite tired. And it did take him a while to get back on his feet." (12.97 Dreamwatch #39)

 

after it was all over
 
A silver souvenir mini-axe, custom made by Sorbo and given exclusively to crew members when the film was wrapped.
 
Screenwriter Charles Edward Pogue: "I must tell you, I got a lovely letter from Kevin Sorbo, after it was all over, and he was very nice and he thanked me for the character and thought I'd like the movie. I wrote him a three page letter back and said I've kept my distance from this and here's why, and I told him the whole sad story. I also told him, look, this has nothing to do with you. It is old, bad business between me and Raffaella." (09.97 Cinefantastique #3)

 

Official graphics © Universal Pictures

© 2003-2006 KSJAA - Please, don't borrow contents without permission.

Articles are reprinted here for educational purposes only. They will be removed if requested by copyright holders.



Hosted by uCoz